

http://www.quentindelobel.com/



Herb Lubalin (1918–1981) is best known for his wildly illustrative typography and his groundbreaking work for the magazines Avant Garde, Eros, and Fact.
On view in Cooper Union’s new gallery, the installation includes recent posters, publications, and motion graphics by internationally recognized graphic designers that spotlight an emerging trend toward expressive lettering and typography.
Original sketches, magazines, logotypes, and posters selected from the Lubalin Center Archive will illuminate Lubalin’s influence on contemporary graphic design.
Opening Reception
Thursday, November 5, 2009, 6 – 8pm
The Cooper Union
41 Cooper Square Gallery [ MAP ]
This event is free and open to the public.
Exhibition On View
November 5, 2009 – December 8, 2009
Gallery Hours
Monday–Thursdays 12–7 pm, Saturday 12–5 pm Closed Fridays and Sundays
Closed November 26, 2009–November 29, 2009
Since all of you are making posters, this is the perfect place for you to see and examine type in real life, up close and personal finally, not on a computer screen. This will show you what real graphic designers can do, not the work of hacks you see on most of the subways, buses and billboards! It's not for another 3 and 1/2 weeks, but please remember to go. The exhibit is held at the Lubalin Center. The center also showcases several other amazing designers such as Marian Bantjes, Non-Format, Matt Owens, and HunterGatherer.
We have been posting a few resources about Herb Lubalin throughout typoblogger. Take a look at some of his work at http://paris.blog.lemonde.fr/paris/2005/10/2_herb_lubalin_.html
One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. "What's happened to me? " he thought. It wasn't a dream. His room, a proper human room although a little too small, lay peacefully between its four familiar walls. A collection of textile samples lay spread out on the table - Samsa was a travelling salesman - and above it there hung a picture that he had recently cut out of an illustrated magazine and housed in a nice, gilded frame. It showed a lady fitted out with a fur hat and fur boa who sat upright, raising a heavy fur muff that covered the whole of her lower arm towards the viewer. Gregor then turned to look out the window at the dull weather. Drops of rain could be heard hitting the pane, which made him feel quite sad. "How about if I sleep a little bit longer and forget all this nonsense", he thought, but that was something he was unable to do because he was used to sleeping on his right, and in his present state couldn't get into that position. However hard he threw himself onto his right, he always rolled back to where he was. He must have tried it a hundred times, shut his eyes so that he wouldn't have to look at the floundering legs, and only stopped when





















Kjell Ekhorn (Norwegian) and Jon Forss (British) have worked together as the creative direction & design