Sunday, August 31, 2008

FIRST PROJECT & THINKING WITH TYPE

JUNIOR TYPE DESIGN
genevieve williams
fall 2008
egenevievewilliams@gmail.com
ta: ramon tejeda
ramonnews@yahoo.com

project one: type specimen book

timeline:
1) first week comp, 9.8, 9.10
2) second week tight comp, 9.15, 9.17
3) third week final 9.22, 9.24

specs:
1) choose twelve typefaces not found on your computer
2) design a sixteen page signature using those twelve typefaces
3) print to size (you may choose the size)
4) bind

research:
1) purchase ellen lupton’s book “thinking with type” and read it!
2) thorough understanding and application of the first two chapters, “letter” and “text” due 9.8, 9.10.
3) here’s a link to some of her students’ projects:
i. http://www.papress.com/thinkingwithtype/teachers/type_spec_project.htm
ii. go there. download her students’ pdfs. have a look.

process:
1) design a sixteen page signature using twelve typefaces not found on your computer.
2) choose three serif display faces, three sans serif display faces, three serif text faces, three sans serif text faces.
3) use a text from a short story, part of a novel, long poem, or other text of your choice.
4) set (and kern properly) display faces and text blocks
5) be inventive with the form and binding of your signature



examples:


Check out David Barlow's Type Bureau Type Specimen book. Download it for your self and study it!!



Here is a link to THINKING WITH TYPE.
You can buy it on Amazon or Barnes and Noble has it.
GET IT AND READ IT. TAKE NOTES, HIGHLIGHT do whatever you need to do.
Its a great resources.
Here is a link to the website for the book!!!!

Friday, August 22, 2008

New Inspiration

Check it out guys!
Master work by Mr. Herb Lubalin!




New Paula Sher for the Public Theater, fall 2008.

* Check out some info-graphics stuff from IDN(International designers network) magazine. The sept. 08 issue is all about info graphics.



Tuesday, August 19, 2008

Great Type Resource on the Web

Look at Ellen Lupton's THINKING WITH TYPE website.
GET THE BOOK and then check out the website,
Go through it, carefully!
Get working on your type!!!!

Tuesday, August 12, 2008

More on INFO/FLOW CHARTS

Check this flow chart out!
FOR MORE SEE HERE, DICK CHENEY

RESOURCES THAT YOU WANT TO CHECK OUT!!!!

Typefoundries
*good ones right now
Hoefler & Frere-Jones
Process Type Foundry
Lineto
Optimo
Fontshop
The Font Bureau
Underware
Veer
House Industries
Village


Sign-up to get their type books and emails and that way you can see all the time what they are doing! Right now Hoefler & Frere Jones are very HOT. They designed the typefaces for GQ and Martha Stewart.

VISUAL RESOURCES

Typography class blog- LOOK through and there are lots of examples on it that you can use, and lots of links to Graphic Studios that are doing great work. Spend time researching!!!!!
fffound.com - images and visual archive for research!!!!!
flickr.com - for images
aesthetic apparatus - all am saying is GO HERE and look how they use type and color! AMAZING!!!!!

GRAPHIC DESIGNERS/ STUDIOS TO SEE
* most of these are on the TYPOGRAPHY CLASS BLOG, but here they are also. Make sure to go to them Check them out
Marian Bantjes - the reigning queen of interesting type work, mostly by hand then computer.
SHE IS EVERYWHERE!!!! Look at the examples!

Non-format, in my opinion, MIND BLOWING WORK, and see how many typefaces they use, NOT MANY!
Homework, again mind blowing simplicity! And they art direct and design HE magazine!
M/M paris - If you like Bjork, these guys do all her visual work.
Catalogue Tree
Experimental Jetset
Gianni Oprandi
Ipsum Planet (they publish NEO2 mag, a very influential design mag. in Spain. Buy a copy of the mag if you can, they sell them at mag stores in the city.)
Design Observer blog - run by Michael Beirut at Pentagram, CHECK IT OUT, put it in your bookmark and go to it often. Lot's of influential designers write on it all the time and also post their work, including their portfolios!!
Peter Grundy - British Illustrator does great, fun work!!! Download his PDF.
Misprintedtype.com (check out the free fonts)

CLASS RESOURCES FROM GEN:
*Aesthetic Apparatus sample works, and type formulas handouts.



Some visuals to look at:





Monday, August 11, 2008

Info Graphics here we go

As the summer winds down, get ready for info graphics. We are all going to tackle them.
Here is some inspiration.
This appeared in WIRED, the August issue.
Designed by Peter Grundi,
to check out more of his work go HERE. Click through his website, he even has his portfolio, which is very nice, as a PDF.
Also check out Catalogue Tree!
And read this blog, there are lots of examples of work posted here for your inspiration!!!!!




Wednesday, August 6, 2008

Printer for business cards

Here is the information for the business card from South Korea.
-ramon

peel.com

Tuesday, August 5, 2008

Typeface Downloads & New inspiration

You can now download the NEO2 typefaces from their new blog. Check out these interesting typefaces, from IPSUM PLANET, Spain's most innovative agency. They also NEO2 which went from a zine to the most influential design magazine in Spain, with a huge circulation. You can get the Mag in NY, its about $7, so get a copy if you can.

CLICK HERE FOR IPSUM PLANET
CLICK HERE FOR THE BLOG WITH THE FONTS

*Also check out www.blanka.co.uk a site where you can get posters.
They have some nice screen shots.
Check it out for inspiration. Look at this one. Its the city of London.


Saturday, August 2, 2008

TYPE TIPS & TRICKS: Indesign

Hey everyone,
here is a link for an article by Ilene Strizver.
it has a bunch of type tricks to improve your type and how to do them in Indesign.
Check it out, Print it, read it, highlighted, all excellent stuff you should know.
-ramon

TYPE TIPS & TRICKS:: INDESIGN CS3 click here!!!!

Friday, August 1, 2008

Bodoni - Typographic Manual

If you want to see screen shots of Giambatista Bodoni's Typographic Manual go here.
Check out the original Mr. Bodoni.

Monday, July 28, 2008

Of interest to

I found this new magazine, design mind, put out by Frog Design in San Francisco, and found these 2 articles to be of interest. Check them out!

* The Collective Instinct
Exploring the human inclination to curate: what we keep, why we keep it, and what it means for design.

*Erik Spiekermann
Legendary type designer Erik Spiekermann talks type with frog, expounding on the beauty – and the difficulty – of designing numbers.

Friday, July 25, 2008

Futu Magazine


Check this out you guys.
Its from FUTU Magazine.
Done by Studio 8 in London.

-ramon

Sunday, July 13, 2008

A good, cheap, and fast printers

from Jungwon:
It's called ABG Printer and they print in 24 hours as well.
located on 37th and 8th ave.
http://www.abgusa.com/

Thursday, July 10, 2008

Thoughts on design and process from Bruce Mau

Check out Bruce Mau's Design website for more great work, great pictures and in there you can find this great manisfesto! THOUGHTS, things to think about!

AN INCOMPLETE MANIFESTO FOR GROWTH

Written in 1998, the Incomplete Manifesto is an articulation of statements exemplifying Bruce Mau's beliefs, strategies and motivations. Collectively, they are how we approach every project.

Allow events to change you.
You have to be willing to grow. Growth is different from something that happens to you. You produce it. You live it. The prerequisites for growth: the openness to experience events and the willingness to be changed by them.

Forget about good.

Good is a known quantity. Good is what we all agree on. Growth is not necessarily good. Growth is an exploration of unlit recesses that may or may not yield to our research. As long as you stick to good you'll never have real growth.

Process is more important than outcome.

When the outcome drives the process we will only ever go to where we've already been. If process drives outcome we may not know where we're going, but we will know we want to be there.

Love your experiments (as you would an ugly child).

Joy is the engine of growth. Exploit the liberty in casting your work as beautiful experiments, iterations, attempts, trials, and errors. Take the long view and allow yourself the fun of failure every day.

Go deep.

The deeper you go the more likely you will discover something of value.

Capture accidents.

The wrong answer is the right answer in search of a different question. Collect wrong answers as part of the process. Ask different questions.

Study.

A studio is a place of study. Use the necessity of production as an excuse to study. Everyone will benefit.

Drift.

Allow yourself to wander aimlessly. Explore adjacencies. Lack judgment. Postpone criticism.

Begin anywhere.

John Cage tells us that not knowing where to begin is a common form of paralysis. His advice: begin anywhere.

Everyone is a leader.

Growth happens. Whenever it does, allow it to emerge. Learn to follow when it makes sense. Let anyone lead.

Harvest ideas.

Edit applications. Ideas need a dynamic, fluid, generous environment to sustain life. Applications, on the other hand, benefit from critical rigor. Produce a high ratio of ideas to applications.

Keep moving.

The market and its operations have a tendency to reinforce success. Resist it. Allow failure and migration to be part of your practice.

Slow down.

Desynchronize from standard time frames and surprising opportunities may present themselves.

Don't be cool.

Cool is conservative fear dressed in black. Free yourself from limits of this sort.

Ask stupid questions.

Growth is fueled by desire and innocence. Assess the answer, not the question. Imagine learning throughout your life at the rate of an infant.

Collaborate.

The space between people working together is filled with conflict, friction, strife, exhilaration, delight, and vast creative potential.

____________________.

Intentionally left blank. Allow space for the ideas you haven't had yet, and for the ideas of others.

Stay up late.

Strange things happen when you've gone too far, been up too long, worked too hard, and you're separated from the rest of the world.

Work the metaphor.

Every object has the capacity to stand for something other than what is apparent. Work on what it stands for.

Be careful to take risks.

Time is genetic. Today is the child of yesterday and the parent of tomorrow. The work you produce today will create your future.

Repeat yourself.

If you like it, do it again. If you don't like it, do it again.

Make your own tools.

Hybridize your tools in order to build unique things. Even simple tools that are your own can yield entirely new avenues of exploration. Remember, tools amplify our capacities, so even a small tool can make a big difference.

Stand on someone's shoulders.

You can travel farther carried on the accomplishments of those who came before you. And the view is so much better.

Avoid software.

The problem with software is that everyone has it.

Don't clean your desk.

You might find something in the morning that you can't see tonight.

Don't enter awards competitions.

Just don't. It's not good for you.

Read only left-hand pages.

Marshall McLuhan did this. By decreasing the amount of information, we leave room for what he called our "noodle."

Make new words.

Expand the lexicon. The new conditions demand a new way of thinking. The thinking demands new forms of expression. The expression generates new conditions.

Think with your mind.

Forget technology. Creativity is not device-dependent.

Organization = Liberty.

Real innovation in design, or any other field, happens in context. That context is usually some form of cooperatively managed enterprise. Frank Gehry, for instance, is only able to realize Bilbao because his studio can deliver it on budget. The myth of a split between "creatives" and "suits" is what Leonard Cohen calls a 'charming artifact of the past.'

Don't borrow money.

Once again, Frank Gehry's advice. By maintaining financial control, we maintain creative control. It's not exactly rocket science, but it's surprising how hard it is to maintain this discipline, and how many have failed.

Listen carefully.

Every collaborator who enters our orbit brings with him or her a world more strange and complex than any we could ever hope to imagine. By listening to the details and the subtlety of their needs, desires, or ambitions, we fold their world onto our own. Neither party will ever be the same.

Take field trips.

The bandwidth of the world is greater than that of your TV set, or the Internet, or even a totally immersive, interactive, dynamically rendered, object-oriented, real-time, computer graphic–simulated environment.

Make mistakes faster.

This isn't my idea -- I borrowed it. I think it belongs to Andy Grove.

Imitate.

Don't be shy about it. Try to get as close as you can. You'll never get all the way, and the separation might be truly remarkable. We have only to look to Richard Hamilton and his version of Marcel Duchamp's large glass to see how rich, discredited, and underused imitation is as a technique.

Scat.

When you forget the words, do what Ella did: make up something else ... but not words.
Break it, stretch it, bend it, crush it, crack it, fold it.

Explore the other edge.

Great liberty exists when we avoid trying to run with the technological pack. We can't find the leading edge because it's trampled underfoot. Try using old-tech equipment made obsolete by an economic cycle but still rich with potential.

Coffee breaks, cab rides, green rooms.

Real growth often happens outside of where we intend it to, in the interstitial spaces -- what Dr. Seuss calls "the waiting place." Hans Ulrich Obrist once organized a science and art conference with all of the infrastructure of a conference -- the parties, chats, lunches, airport arrivals — but with no actual conference. Apparently it was hugely successful and spawned many ongoing collaborations.

Avoid fields.

Jump fences. Disciplinary boundaries and regulatory regimes are attempts to control the wilding of creative life. They are often understandable efforts to order what are manifold, complex, evolutionary processes. Our job is to jump the fences and cross the fields.

Laugh.

People visiting the studio often comment on how much we laugh. Since I've become aware of this, I use it as a barometer of how comfortably we are expressing ourselves.

Remember.

Growth is only possible as a product of history. Without memory, innovation is merely novelty. History gives growth a direction. But a memory is never perfect. Every memory is a degraded or composite image of a previous moment or event. That's what makes us aware of its quality as a past and not a present. It means that every memory is new, a partial construct different from its source, and, as such, a potential for growth itself.

Power to the people.

Play can only happen when people feel they have control over their lives. We can't be free agents if we're not free.

New Ideas from Rodrigo Corral

Sunday, July 6, 2008

Tuesday, June 24, 2008

Adjusting word Spacing in InDesign

Here is a very efficient and worthy skill to know to get smoother body copy. This works particularly well in Justified type. Sorry that this is only for Indesign, but you Quark users can look in your Hyphenation & Justification dialog box and check that out.

**NOTE THAT in Indesign you SHOULD NOT set the Glyph Scaling to more than 97 %, 100%, and 103% as fonts may warp.

Tuesday, June 17, 2008

More info charts.


New Inspiration!

Check the work of Alex Trochut, who has worked for Diesel and Nike a lot. The nike ads you may be seeing them around right now!


Also, in terms of creating type posters, for inspiration check this out:
http://wordle.net/create


And some other stuff, i have been founding interesting:

Wednesday, May 28, 2008

NEW LINKS

Summer is getting here and we are still inspiring you! Take a look these resources to help you out with your type:

NEED FONT id? You have a swatch of a font you like, but can't figure it out? Post your font swatch with a note on TYPOPHILE.com and they can help you out. You need to sign up, its free!

MORE FONTS, including FREE ONES at smeltery.net
Need INSPIRATION? Look at the AIGA design archives and the SPD 43rd Annual, now online! The SPD Mags of the year are: The New York Times Magazine, Wired, and Blueprint (GOLD MEDALS) and TIME, GQ, and Print (SILVER MEDALS)

And some visual eye candy from BLUEPRINT MAG:



And from WIRED (for more examples see the SPD 43rd Annual link!

Friday, May 23, 2008

Michael Beirut's Portfolio


Check this entry out on Michael Beirut's Design Observer Blog. He dissects his portfolio from when he moved to NYC. CHECK IT OUT!! May I show you my portfolio.

Thursday, May 22, 2008

inspiration from Michael Beirut

Here you go some examples from Michael Beirut's posters for The Yale School of Architecture.